With apologies to
Elvin Bishop I’m going to take OFF my traveling shoes, and let the travelogue
take a rest for a bit. I suspect you are
ready for a break as, am I…
We all have our daily grind schedule, whether it be
generated by the need to earn wages, or “retirement stuff” you somehow get
yourself into. Long time readers may recall that I occasionally
refer to moments “stolen in time”, meaning something pops up like that
extemporaneous lunch (NOT the one your Google Calendar has) that somehow come
along and gives a little unexpected oasis from the rigors of the day.. Currently the Feeder is banging deadlines for
work associated with the Hospital Gala, by-law reviews for another
organization, and a spate of things for one of the civic clubs I belong to. So
this week has been a head spinning trip of errands, phone calls, emails, texts,
and so on.
I had in the back of my mind that today was another of the
Brian Ganz piano talks down at St. Mary’s College, but I thought (remember one
of my call signs is Eeyore) “Ooooh Gee, I
guess I shouldn’t take the time, have to do…..” and started my check
list. Then I got a note from Historic
St. Mary’s City that they needed some papers signed TODAY, and could I come
down and do it. Another one!! So into the fluttermobile and off I go.. Then it hit me!! I’m down here, the sun is shining, and Brian
Ganz is going to play Chopin!!! S***w
it!!! I’m GOING.
So I did the (damn) paperwork and went over to St. Mary’s
Hall and was even able to sit in the Micheal Picot memorial seat (back row, audience
right), where I enjoyed so many performances with him while he was with us. The topic of today’s Piano Talk was “Chopin
Discoveries” which featured some of Frederic’s lesser known pieces. There were four different genres, a Waltz, a
Prelude, a Ballade, and an Etude. Brian
appeared to almost a full house which, while is as it should be, is not often
the case. Maybe word gets out after a couple of years!! Anyway, Brian started with some history about
the first piece (the Waltz) which was called “L’Adieu” and how it figured into
a relationship Chopin had with a young lady.
He talked about the form of this waltz and how it had kind of a
repetitive bass (which has a name, but escapes me) and he demonstrated it on
the piano. Now, I have to interject here
that Waltzes are not my favorite form of classical music. I don’t go looking for Richard Strauss pieces
to listen to. I’m sorry, but I don’t
enjoy hearing the Blue Danube. I can’t get over the “ooooMMM Pahh Pahh”
stuff. So I was ready to endure the
Chopin Waltz in A-flat major, Op. 69, No. 1, in order to hear the rest of the
program.
Well silly me. It turned
out to be a wonderful lyrical piece played by the delicate hand of Brian. At one point I was surprised to hear a series
of notes which immediately reminded me of jazz.
I suppose there is a musical reason for that, but I was struck by the
thought. Which, in turn made me wonder
if Brian ever plays jazz. I’m sure he
would be good at that.
Anyway, the rest of the program was equally enjoyable, again
made more interesting by his insights and little demonstrations. At the end of the hour, I was so glad I stole
the moment…do it, we only have so many..
On the way back up to the digs, I noticed that there was a “For
Lease” sign on Charlie’s Deli… guess there will be one less independent for
which you might have to
DFD
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